Another year gone by. As always, I spent a significant portion of it reading. Here are my favorites from 2012:
Steve Jobs (Isaacson). Hubby would not stop talking about how fantastic this book was and urging me to read it. I was initially reluctant, insisting that I had no interest in joining a bunch of Apple fan-boys to worship at the altar of a megalomaniac in a mock turtleneck. Turns out, I was misguided. Although it is an authorized biography, the book does not deify Jobs. In fact, much of it focuses on his flaws and idiosyncrasies--including his "reality distortion field"--and how these both contributed to and constrained his success at Apple. Most interestingly, Isaacson frequently contrasts Apple's (and Jobs's) hippy, counter-cultural self-image with its rigid and at times cutthroat business practices. Isaacson portrays Jobs as a highly compelling figure and a true visionary, but probably not someone you'd want to hang out with.
The Handmaid's Tale (Atwood). Written in 1986, this novel depicts a dystopian future where feminists and Christian fundamentalists unite to establish a bizarre and repressive social order, reminiscent of 1984. Offred, the protagonist, is a handmaid, the unfortunate object of the male-dominated establishment's brutal repopulation policies. Chilling, original, and thought-provoking.
NW (Smith). I am a big fan of Zadie Smith and devoured her other novels, White Teeth and On Beauty. NW does not disappoint. It is quintessential Smith, featuring the vivid characters, snappy dialogue, class conflict, and multiculturalism she's known for. NW weaves together vignettes of four residents in gritty northwest London, including former schoolmates Natalie and Leah, who grew up together in public housing but have drifted apart in adulthood. A complex narrative with a surprising, heartbreaking finale.
Behind the Beautiful Forevers (Boo). A work of narrative non-fiction that feels like a novel, Behind the Beautiful Forevers is the result of three years of on-the-ground reporting from Annawadi, a slum near the Mumbai airport, and poignantly recounts the residents' poverty, relationships, and aspirations for a better life. Elegantly written, the book paints the slum residents as complicated individuals, at points evoking pity, contempt, disgust, or amusement in the reader.
Extremely Loud and Incredibly Close (Foer). The story of nine-year-old Oskar Schell's quest for closure following his father's death in the 9/11 attacks in New York City. Oskar is a quirky, precocious, solitary kid who joins forces with an elderly shut-in to track down the lock that fits a key he discovered in his father's closet. The layered plot addresses the pain of loss through a variety of lenses, including war, terrorism, childhood, and relationships.